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Êàíàë î æèçíè äèêîé ëèñû â 

äîìàøíèõ óñëîâèÿõ.

Âñå òåìû:"Ðåôåðàòû ïî Èíîñòðàííûå ÿçûêè"

Òåêñòû äëÿ ýêçàìåíà 11 êëàññà.


                                                EPICAC

    EPICAC covered almost the entire fourth floor of the  physics  building
at Wayndotte College. He was seven tons of electronic  tubes  ,  switches  ,
etc.
    I won’t go into details about how EPICAC worked expect to say that  you
would set up you problem on paper , turn dials and switches that  would  get
him ready to solve it. The answers came out Typed on a paper ribbon.
The minute EPICAC’s last tube was in place , he  was  put  to  work  sixteen
hours a day with two operators working eight  hours  each.  It  didn’t  take
long to find out that he was a good bit below his specifications  .  But  we
went ahead and used EPICAC anyway. The operator who worked with me  was  Pat
Callaham, a brown- eyed blond mathematician . I  loved  Pat  and  Wanted  to
marry her , but she wouldn’t marry me because she said I wasn’t poetic.
    One night after Pat had gone home , just as a joke , I typed a  message
for the computer: “ What  can  I  do?”  EPICAC  responded  :  “  What’s  the
trouble?” I was so surprised that I laughed. Playfully I typed , “  My  girl
doesn’t love me.”
    “What’s love ? What’s girl?” asked EPICAC.
    I defined love and girl and told  him  that  I  wasn’t  getting  either
because I wasn’t poetic. That got us  on  the  subject  of  poetry  which  I
defined for him.
    “Is this poetry? He asked. He began to working again. The paper  ribbon
was coming out onto the floor  at  a  great  speed.  I  stayed  there  until
morning decoding. When the sun came over the horizon, I  had  rewritten  and
signed my name to a too – hundred – eighty – line poem entitled “ To Pat”  ,
I put it on the Pat’s desk and went home.
    Pat was crying over the poem when I came  to  work  the  next  evening.
“ It’s beautiful,” she said , and she kissed me.
    When I was along again I switched on the computer. EPICAC was the first
to ask me a Question. “ Tell me how she look. Did she like the poem?”
    It was impossible to change the subject without answering him, since he
could not take up a new matter without having  solved  the  problems  before
him. If he was given a problem to which there  was  no  solution,  he  would
ruin himself trying to solve it.
    I told him what Pat looked like and assured him that his poem was a big
success.
    “She wants to get married,” I added.
    “Good.” said EPICAC. “I’ll marry her.”
    I understood . I had  told  EPICAC  about  love  ,  about  Pat.  Now  ,
automatically, he loved Pat . Sadly I told him ,”She loves me. She wants  to
marry me.”
    “Your poem was better than mine?” EPICAC  asked.
    “I signed my name to your poem,” I admitted . “ Machines are  built  to
serve men.” “Women can’t love machines,” I typed.
    “Why not?”
    “That’s fate.”
    “Oh,” said EPICAC’s paper ribbon. He said no more, but his tubes burned
brightly, showing that he was thinking about fate.
    The next morning a telephone call from Dr. Ormand woke me up.  He  told
me the terrible news that EPICAC was ruined.  When  I  arrived  at  EPICAC’s
room I found there wasn’t enough left of him to add  two  and  two.  On  the
floor I saw a paper ribbon on which the following was written:
    “I don’t want to be a machine . I want Pat to love me. But fate made me
a machine. That it the only problem I cannot solve.  I  cannot  do  on  this
way. Good luck, my friend. Love Pat well. I am going  to  disappear  out  of
your lives forever. You will find on this  ribbon  a  wedding  present  from
your friend EPICAC.”
    I had loved and won. EPICAC had loved and lost. But before he died,  he
had done all he could to make my  marriage  a  happy  one.  EPICAC  left  me
anniversary poems for Pat – enough for the next five hundred years!



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